Friday, November 23, 2012

Dark Progress, Kurt Vonnegut and Technology


The book review below appeared in the November, 2012 issue of the Sturbridge Times Magazine. I was prompted to write it after viewing a TED talk that made clear the insight of Kurt Vonnegut.



Player Piano
By Kurt Vonnegut
Dial Press, 2006
Originally Published 1952
Paperback, 341 pages
ISBN 0-385-33378-1
List: $15.00 Amazon: $10.20



There's a great big beautiful tomorrow
Shining at the end of ev'ryday
There's a great big beautiful tomorrow
And tomorrow's just a dream away

The quotation above is the first verse of the theme for Walt Disney’s attraction “Carousel of Progress.”  Carousel of Progress premiered at the 1964 New York World’s Fair where I saw it.  I next viewed it about 17 years ago at Walt Disney World.  It captivated my then three-year-old daughter who demanded to see it many times.
Carousel of Progress captures part of the American spirit first noticed by Alexis De Tocqueville in the 19th Century.  Progress was and would be a constant feature, if not defining characteristic of our nation.  Certainly, my baby boomer generation thought that way, at least until the Viet Nam War. It is also true that materially life has only gotten better.  What could go wrong?
Everything.  At least Kurt Vonnegut thought so.  Kurt Vonnegut was an American novelist of the last century who lingered on into this.  Not the least of his formative experiences was being captured at the Battle of the Bulge during World War II and living through the firebombing of Dresden.  Dresden was arguably as horrible as Hiroshima.  There is lingering controversy as to whether or not the raid was at all necessary.  Vonnegut did not believe it anything other than an atrocity.  In what is his most famous book, Slaughterhouse Five, he recounts his work recovering bodies.  The main character, Billy Pilgrim, becomes “unstuck in time” and is taken to the planet Tralfamadore.  Time and space travel are among the reasons Vonnegut was considered a “Science Fiction” writer.
Player Piano, his first novel, can’t be thought of as science fiction.  It is more the result of an acute sense of observation.  Vonnegut saw a technological advance.  He reasoned that more improvements would occur and compound.  The result would be a change in the status of man versus machine not to the advantage of our species.
In 1949, while working at General Electric, Vonnegut saw the future.  Machinists were expensively doing the milling of parts for jet engines.  A computer operated milling machine was built and took over from the skilled workers.  The men who developed the new equipment exulted about all the machines that could be “run by little boxes.”  The author agreed, but was not optimistic about what it meant for society.
Has constant technological improvement been a benefit?  Depends on whom you ask.  Cheerleaders are happy to point out that even with dislocation, there is a net increase in employment and standards of living after every advance.  Generally, an artisan craft is eliminated and lower skilled work expands.  Textile mills wiped out weavers, as a class.  Their higher paid employment was taken over by machines with lower wage armies replacing them to labor at work that took less if any skill.   Consumers got more, if not better goods at cheaper prices. To the weaver, this was no improvement.  Protests and sabotage happened but as it was only a minority harmed at any one time, they were not all that effective.  It was such that the term “luddite” is considered an insult by most.
This has been seen in many industries as technology changes a society, from the beginnings of agriculture to the computer.  What Vonnegut saw was the end of productive employment for most if not all of humanity. 
If the computer could do machining, what could it not do?  In Player Piano, all factory work is gone and even higher-level skills get eliminated as soon as machinery and programming is perfected.  A small elite controls everything.
Needless to say, class conflict is a problem.  What to do with all the superfluous workers?  In the novel the government employs them in a grand make-work scheme called the Reconstruction and Reclamation Corps. It is known by the slang name as the Reeks and Wrecks.
The army also absorbs a significant portion of the idle manpower.  Class conflicts are obvious as they are not trusted with weapons until overseas. 
Alas, when people have no feeling of being needed, as in Player Piano, there can be nothing but class resentments.  A revolution is attempted, but the masses do not really know what they want and it collapses.
So how does Player Piano hold up today?  Actually, the flavor is antiquated.  It’s as if the culture of the 50s did not end even though the society was turned on its head.  Dad goes out to work on Reeks and Wrecks and comes home to dinner with mom and the kids and then the family watches TV.  A woman’s place is in the home, other than maybe as a secretary.  The idealized domesticity of mid-century never stopped.
Vonnegut did not predict the digital revolution.  All the techno programming is done on magnetic tape.  This is understandable in the early 50s.  Had anyone predicted even the 8-Track revolution back then, he could be considered no less than a prophet.
So why should Player Piano resonate today?  The author may have missed the science, but as to the progress of technology, he was dead on.  Machines advance daily in areas previously the province of the human.  
Some improvements are devoutly to be wished and bring benefits many of us have experienced.  Robotic surgery is getting better all the time.  It will not be long before it is completely autonomous.  I assure you, we all want more precise, ergo less painful and invasive operations.
The bad news is good-bye jobs.  You may have heard that that JC Penney will be eliminating checkout clerks in it stores.  This is driven by the chain’s struggle to be profitable.  If the people versus machine question comes down to corporate viability, we lose.
Automated checkout is the visible aspect of job destruction.  Trades we might think safe are on the chopping block.
There is, on the web, a series of videos by speakers on their area of expertise called TED Talks.  TED stands for “bringing together people from three worlds: Technology, Entertainment, Design.” Some of the orations are brilliant and in others, at least all the words are pronounced correctly. 
One all too interesting talk, posted in September is by a Mr. Andrew McAfee. McAfee is principal research scientist at the Center for Digital Business, MIT Sloan School of Management.  His resume is hardly limited to that job.  He has been studying tech for a long time.
In his talk, there are two quotes that stand out.  First, “Just in the past couple years, we've seen digital tools display skills and abilities that … eat deeply into what we human beings do for a living.”  Second, “Within [our lifetimes], we're going to transition into an economy that … doesn't need a lot of human workers. Managing that transition is going to be the greatest challenge that our society faces.”  They should change his title to the Kurt Vonnegut Professor of Human Redundancy.

If those quotes don’t scare you, this one should.  The first decade of the 21st Century “is the only time we have on record where there were fewer people working at the end of the decade then at the beginning.”  Andy is telling us the great job destruction has already started.  Next big quote, “We ain’t seen nothing yet.”

So okay, tech can’t do everything.  You might say over the road truck drivers are safe.  McAfee got to ride in the Google autonomous Prius.  The driverless car worked flawlessly on the highway.  Andy does not see it a long time from the Prius to the Mack Truck.  Maybe the young fellow thinking of driving the big rigs should contemplate another trade, but what?

After his scary discussion how jobs are toast, he ends with a mealy mouthed pronouncement how humans will be freed up to use our creativity to solve our problems.  Moi, I think trends that already exist will continue.

Like Vonnegut’s dystopia, we will move towards more made work.  Some of it might be continuous fixing of bridges and roads as in Reeks and Wrecks.  The bigger model is the wars we are now pretending to fight.  The War on Drugs will continue and expand.  A nation that is half drug users and half drug fighters sops up a large number of unemployed.  The War on Terror can do the same, fighting opponents real and imagined.  Does not the nation cry out for the TSA keeping kids safe as they get on the school bus?

I have not yet mentioned the most disturbing point made by Mr. McAfee.  Andrew noted an algorithmically generated piece published in the Wall Street Journal that he called "perfect."  Now, it was perfect in the sense that there were no mistakes.  It could not be called stylistically excellent.  H.L. Mencken does not fear from the grave for his reputation.  Still, where this is going is obvious.  I am sure the editor of this publication is thinking about the progress of that algorithm with every article I file.







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